Poems. Done into English by Jack Lindsay. With decorations by Edward Bawden. Pp. [72](last blank), pictorial title page, text illustrations (one full page); blue buckram, decorated in blind in a patchwork design, edges a trifle rubbed, spine faded; t.e.g., others uncut; bookplate of [Robert] Foster Kennedy on upper pastedown, plus..... More
Edited with a memoir by Sir Edmund Gosse and decorated by The Dance of Death of Hans Holbein. In two volumes. Pp. [ii]+xxxvi+258(last blank)+590, frontispiece portrait (lightly offset), decorated title pages & headpieces; roy. 8vo; qr. black buckram, printed label on spines (slightly discoloured, edges a trifle chipped), patterned papered..... More
Pp. [16](last colophon); qr. blue buckram, spine lettered in gilt, patterned papered boards, the bottom fore-corners a trifle bruised; uncut; free endpapers faintly offset, tiny split to bottom edge of title page; Fanfrolico Press, London, 1930. Edition limited to 110 numbered copies, printed by J. Lindsay and W. J. Hatton..... More
Record of a lyrical experience. Pp. [32]; med. 8vo; qr. red cloth, spine lettered in gilt, cream & red floral patterned papered boards, slightly soiled, corners lightly worn, slightly bruised at foot of spine; bookseller's sticker at foot of upper pastedown, free endpapers faintly offset, occasional slight soiling; Fanfrolico Press..... More
A series of Elizabethan Dialogues and Monologues illustrating Daily Life and the Conduct of a Gentleman on the Grand Tour, extracted from Ortho-Epia Gallica, a book on the correct Pronunciation of the French Language written by John Eliot and published in the year 1593. Edited by Jack Lindsay. Pp. 120(last..... More
Satyrs, Fauns & Fine Books. Pp. 328, frontispiece, numerous illustrations (several full page), list of works consulted, notes, index; super roy. 8vo; full blue morocco, lettered and decorated in gilt, the upper board featuring a device designed for the Press by Norman Lindsay of a faun riding a flying horse;..... More
Satyrs, Fauns & Fine Books. Pp. 328, frontispiece, numerous illustrations (several full page), list of works consulted, notes, index; super roy. 8vo; blue cloth, lettered and decorated in gilt, the upper board featuring a device designed for the Press by Norman Lindsay of a faun riding a flying horse; Private..... More
A survey. Based upon books in his collection. With Preface by Jack Lindsay. Pp. [ii]+82(processed, last blank), frontispiece portrait, plus 2 plates; post 4to; printed textured paper wrappers, edges faded and a trifle rubbed;The Wentworth Press, Sydney, 1976. First edition. Studies in Australian Bibliography No. 23. More
A new discourse of a stale subject; with an anatomie of the metamorpho-sed Ajax. Reprinted from the original editions; edited by Peter Warlock and Jack Lindsay. Pp. xxxii+144(last colophon), photogravure frontispiece, plus decorations, woodcut illustrations & initials reproduced from the original editions, appendices; roy. 8vo; grey papered boards, lettered and..... More
A selection by Peter Meadows from Herrick's "Hesperides". With illustrations by Lionel Ellis. Pp. [x]+174(last blank), 10 collotype drawings, the title page, final illustration, and colophon printed in blue & black; blue cloth, lettered in black, spine slightly faded and rubbed, tiny chip to bottom edge of lower board near..... More
June, 1928, being a statement of the aims of the Fanfrolico Press both typographical and aesthetic with a complete bibliography and specimen passages and illustrations from the books. Pp. 36, title page vignette, text illustrations (some full page); pictorial mauve paper wrappers, sewn, edges faded and a trifle soiled, the..... More
Bedlamite Verses of the XVI and XVII Centuries. With five illustrations by Norman Lindsay. Foreword by Robert Graves. The texts edited with notes by Jack Lindsay. Musical transcriptions by Peter Warlock. Pp. [ii]+110+[2](colophon, verso blank), 4 full page illustrations plus colophon illustration, printed music; wide demy 4to; qr. parchment, spine..... More
Done into English verse by Jack Lindsay with illustrations and decorations by Norman Lindsay. Pp. [viii]+x+48+[2](colophon, blank), pictorial title page, plus 4 hand-tipped plates on beige art paper, 7 text illustrations and pictorial tailpiece; super royal 4to; qr. cream cloth, spine lettered in gilt, grey papered boards, with circular Norman..... More
Being the collected poetry of Hugh McCrae. Illustrated and decorated by Norman Lindsay. With an Introduction by Thomas Earp. Pp. xx+176+[2](colophon, verso blank), 35 collotype or gravure plates (including the frontispiece) and 10 drawings (half-title and title page vignettes, pictorial headpieces and tailpiece); wide demy 4to; full green stained artificially..... More
With decorations from drawings in colour and line by Pearl Binder. Pp. 48, illustrated in colour and black & white; impl. 8vo; natural sacking cloth over boards, stencilled with large "XXX" and a small tankard device on the upper board, printed title label on spine (torn, and lacking the last..... More
![THE LETTERS OF] PHILIP STANHOPE, Second Earl of Chesterfield. Philip Stanhope](/pictures/thumb/153057.jpg?v=1571365116)
His correspondence with various ladies among whom is notably Barbara Villiers, later Lady Castlemaine & Duchess of Cleveland, and letters exchanged with Sir Charles Sedley, John Dryden, Charles Cotton, Mr. Bates &c. Now for the first time printed correctly & extensively from the Earl's letterbook, A Defence of Barbara Villiers..... More
Some Recollections of The Fanfrolico Press. Pp. 36(last colophon); gilt lettered blue/grey cloth, corners a trifle rubbed; fore-edges uncut; ribbon marker; the free endpapers slightly offset, a little light foxing; Talkarra Press, Cremorne, 1954. Edition limited to 225 numbered copies, signed by the publisher. Farmer p. 64. *From the library..... More
Edited by Allardyce Nicoll. With decorations by Frederick Carter. Pp. x+344+[2](colophon, verso blank), head & tailpiece decorations; cr. 4to; grey/green buckram, lettered and decorated in gilt, upper board faintly scuffed; t.e.g., others uncut; free endpapers lightly offset; Fanfrolico Press, London, 1929. One of 750 numbered copies, printed on Pannekoek mould-made..... More