Their romantic origin and artistic development. Pp. 176(last colophon, verso blank), numerous illustrations (16, including the frontispiece being hand-tipped or mounted bookplates), title page vignette, index; demy 8vo; brown patterned cloth, spine lettered in gilt, edges of boards a trifle rubbed; uncut; book label of David Levine, Sydney, on verso..... More
Pp. 196(last colophon, verso blank), with 133 illustrations of which 34 are tipped-in plates, 3 being signed by the artists (2 by John Barclay Godson, both of which are Remarque proofs, and 1 by Ella Dwyer), index; cr. 4to; crocodile patterned cloth with printed paper label on spine and on..... More
Pp. [iv]+284(last blank), with nearly 350 illustrations of bookplates (87 hand-tipped or mounted, several coloured, a few signed, including 2 by Adrian Feint and one by Lionel Lindsay), patterned endpapers, index; demy 4to; qr. parchment, spine lettered in black, blue papered boards, fore-corners slightly bruised; uncut; dust wrapper, edges lightly..... More
Foreword by Lionel Lindsay. Pp. 244(last colophon, blank), title page decoration, numerous text illustrations, of which 134 are tipped-in or mounted bookplates (20 of these signed or initialled by the artist, including the coloured frontispiece bookplate of Edward, Prince of Wales, by Adrian Feint), marbled endpapers, index; post 4to; qr..... More
Pp. [24](including outer blanks), illustrated (3 full page); small cr. 4to; textured brown paper wrappers, stabbed & tied, upper wrapper lettered in orange, faintly creased; a little faint soiling and creasing; [the author, Sydney?], 1952. Unlimited edition. Ferson 55. *'This Collection of Reprints has been issued for distribution among those..... More
